5 April – 21 August 2011
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Clore Gallery (Tate Britain) London, England: study model for the east elevation 1978–86 wood, cardboard, plastic and paint AP140.S2.SS1.D60.SD1.P127 James Stirling / Michael Wilford fonds, Canadian Centre for Architecture, Montréal © CCA |
Free Entry
It is eighteen years since James Stirling’s death, and he is long due a retrospective exhibition. Given his close association with Tate, in the form of the Clore Gallery and Tate Liverpool, Tate Britain is an especially appropriate place to review his work. This exhibition, curated by the renowned architectural writer Anthony Vidler, draws on the Stirling archive held at the Canadian Centre for Architecture in Montreal. It will be presented in the Clore Gallery, designed by Stirling and opened in 1987. Unfashionable at the time, it, like its designer, is the subject of renewed interest and appreciation. The exhibition will cover the whole of Stirling’s career, from the iconic Engineering Building of 1959 at Leicester University through to the late 1990s, including built and unbuilt projects, drawings, photographs and furniture.
It is eighteen years since James Stirling’s death, and he is long due a retrospective exhibition. Given his close association with Tate, in the form of the Clore Gallery and Tate Liverpool, Tate Britain is an especially appropriate place to review his work. This exhibition, curated by the renowned architectural writer Anthony Vidler, draws on the Stirling archive held at the Canadian Centre for Architecture in Montreal. It will be presented in the Clore Gallery, designed by Stirling and opened in 1987. Unfashionable at the time, it, like its designer, is the subject of renewed interest and appreciation. The exhibition will cover the whole of Stirling’s career, from the iconic Engineering Building of 1959 at Leicester University through to the late 1990s, including built and unbuilt projects, drawings, photographs and furniture.
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